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    • Artists >
      • Artists A-G >
        • Susan ANGWIN
        • Kerrie ARGENT
        • Lynley CAMPBELL
        • Kate CAMPBELL-POPE
        • Ann COPEMAN
        • Jenny CRISP
        • Annette DAVIS
        • Samantha DENNISON
        • Kevin DRAPER
        • Renee FARRANT
        • Indra GEIDANS
        • Jillian GREEN
        • Nikki GREEN
        • Anne GROTIAN
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        • Robyn LEES
        • Barbara MADDEN
        • Serena McLAUCHLAN
        • Rachel MORDY
        • Jill O'MEEHAN
        • Nat RAD
        • Elizabeth RILEY
        • Margaret SANDERS
        • Sheryl STEPHENS
        • Jo WASSELL
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      • Nikki GREEN
      • Robyn LEES
      • Barbara MADDEN
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        • Nikki GREEN
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    • Artists >
      • ARTISTS A - G >
        • Susan ANGWIN
        • Kerrie ARGENT
        • Christine BAKER
        • Lynley CAMPBELL
        • Ann COPEMAN
        • Jenny CRISP
        • Annette DAVIS
        • Kevin DRAPER
        • Phoebe DUFF
        • Anne GROTIAN
      • ARTISTS H - W >
        • Catherine HIGHAM
        • Robyn LEES
        • Barbara MADDEN
        • Jill PAYNTER-O'MEEHAN
        • Terri PIKORA
        • Nat RAD
        • Elizabeth RILEY
        • Margaret SANDERS
        • Renee TAN
        • Jo WASSELL
    • Public Program
  • Refugium
    • Artists >
      • Artists A-H >
        • Susan ANGWIN
        • Kerrie ARGENT
        • Christine BAKER
        • Kate CAMPBELL-POPE
        • Ann COPEMAN
        • Jenny CRISP
        • Annette DAVIS
        • Phoebe DUFF
        • Nikki GREEN
        • Anne GROTIAN
        • Catherine HIGHAM
      • Artists L-W >
        • Robyn LEES
        • Barbara MADDEN
        • Rachel MORDY
        • Jill O'MEEHAN
        • Nat RAD
        • Elizabeth RILEY
        • Margaret SANDERS
        • Renee TAN
        • Jo WASSELL
    • Catalogue essay
    • Poetry by Yann Toussaint
    • Northcliffe
  • The Alternative Archive - MIX
    • Artists >
      • Artists A-G >
        • Susan ANGWIN
        • Kerrie ARGENT
        • Lynley CAMPBELL
        • Kate CAMPBELL-POPE
        • Ann COPEMAN
        • Jenny CRISP
        • Annette DAVIS
        • Samantha DENNISON
        • Kevin DRAPER
        • Renee FARRANT
        • Indra GEIDANS
        • Jillian GREEN
        • Nikki GREEN
        • Anne GROTIAN
      • Artists L-W >
        • Robyn LEES
        • Barbara MADDEN
        • Serena McLAUCHLAN
        • Rachel MORDY
        • Jill O'MEEHAN
        • Nat RAD
        • Elizabeth RILEY
        • Margaret SANDERS
        • Sheryl STEPHENS
        • Jo WASSELL
      • Catalogue essay
  • Reservoir
    • Artists and Artworks >
      • Susan ANGWIN
      • Kerrie ARGENT
      • Lynley CAMPBELL
      • Kate CAMPBELL-POPE
      • Jenny CRISP
      • Annette DAVIS
      • Renee FARRANT
      • Nikki GREEN
      • Robyn LEES
      • Barbara MADDEN
      • Rachel MORDY
      • Jill O'MEEHAN
      • Nat RAD
      • Elizabeth R RILEY
      • Margaret SANDERS
    • Catalogue Essay
    • Installation Views
  • SQUARE
  • HomeFRONT
    • About >
      • Artists and Artworks >
        • Kerrie ARGENT
        • Lynley CAMPBELL
        • Ann COPEMAN
        • Jenny CRISP
        • Peta DAVIES
        • Annette DAVIS
        • Renee FARRANT
        • Michelle FRANTOM
        • Indra GEIDANS
        • Jillian GREEN
        • Nikki GREEN
        • Robyn LEES
        • Rachel MORDY
        • Terri PIKORA
        • Nat RAD
        • Sheryl STEPHENS
      • Exhibition
      • Catalogue Essay
  • Hotspot
  • Catalogue essay
Picture
Picture
Picture
​BARBARA MADDEN
Benchmark 1,2,3
Dye sublimate on aluminium
28 x 50 cm
$250 each

Living and enjoying life close to Middleton Beach makes me particularly interested in sea level rise predictions and their associated threats.  A recent report on the potential impacts of coastal erosion and inundation between Emu Point and Middleton Beach over the next 100 years is sobering, and was the main inspiration for my work. It predicts that the area, which has already experienced historic storm erosion, is increasingly at risk of future damage due to storm events and predicted sea level rise. Relentlessly, the hazard lines move inland over time.
The photo of the bench at the edge of Oyster Harbour was taken on my phone while cycling past, by chance at the highest of high tides for the year. I thought it said everything about the prospect of future inundation in coastal suburbia. After experimenting with different ways of using the image I decided that a progression from ‘normal’ to barely visible emphasised the message while referencing the hazard lines shown on the report map. The bench becomes a benchmark.
 
REFERENCES
Emu Point to Middleton Beach Coastal Hazard Risk Management Adaptation Plan, December 2019.
(https://www.albany.wa.gov.au/documents/714/chrmap-final-report)

Priorities for coastal research in Western Australia. UWA, April 2022.
(https://www.uwa.edu.au/news/Article/2022/June/Priorities-for-coastal-research-in-Western-Australia)

AusGeo News March 2011 Issue No. 101. (https://www.ga.gov.au/ausgeonews/ausgeonews201103/climate.jsp)

Sea Level Change in Western Australia. Department of Transport. February 2010.
(https://www.wa.gov.au/system/files/2021-06/CST-Sea_Level_Change_in_WA.pdf)
Photo details
Photo1           Original Benchmark photo. Barbara Madden
Photo 2          Coastal Assets at Risk by 2030. CHRMAP Report
​
BIO SUMMARY
Barbara is a photographer who has exhibited with MIX for several years, as well as in joint and solo exhibitions. Her work is usually landscape - based and she is especially drawn to places that embody the endless space of inland Australia. Her favourite places are deserts and salt lakes, where she continually strives for images that express their minimalist essence.