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        • Susan ANGWIN
        • Kerrie ARGENT
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        • Kevin DRAPER
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        • Susan ANGWIN
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        • Christine BAKER
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        • Robyn LEES
        • Barbara MADDEN
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        • Jill O'MEEHAN
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        • Elizabeth RILEY
        • Margaret SANDERS
        • Renee TAN
        • Jo WASSELL
    • Catalogue essay
    • Poetry by Yann Toussaint
    • Northcliffe
  • The Alternative Archive - MIX
    • Artists >
      • Artists A-G >
        • Susan ANGWIN
        • Kerrie ARGENT
        • Lynley CAMPBELL
        • Kate CAMPBELL-POPE
        • Ann COPEMAN
        • Jenny CRISP
        • Annette DAVIS
        • Samantha DENNISON
        • Kevin DRAPER
        • Renee FARRANT
        • Indra GEIDANS
        • Jillian GREEN
        • Nikki GREEN
        • Anne GROTIAN
      • Artists L-W >
        • Robyn LEES
        • Barbara MADDEN
        • Serena McLAUCHLAN
        • Rachel MORDY
        • Jill O'MEEHAN
        • Nat RAD
        • Elizabeth RILEY
        • Margaret SANDERS
        • Sheryl STEPHENS
        • Jo WASSELL
      • Catalogue essay
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    • Artists and Artworks >
      • Susan ANGWIN
      • Kerrie ARGENT
      • Lynley CAMPBELL
      • Kate CAMPBELL-POPE
      • Jenny CRISP
      • Annette DAVIS
      • Renee FARRANT
      • Nikki GREEN
      • Robyn LEES
      • Barbara MADDEN
      • Rachel MORDY
      • Jill O'MEEHAN
      • Nat RAD
      • Elizabeth R RILEY
      • Margaret SANDERS
    • Catalogue Essay
    • Installation Views
  • SQUARE
  • HomeFRONT
    • About >
      • Artists and Artworks >
        • Kerrie ARGENT
        • Lynley CAMPBELL
        • Ann COPEMAN
        • Jenny CRISP
        • Peta DAVIES
        • Annette DAVIS
        • Renee FARRANT
        • Michelle FRANTOM
        • Indra GEIDANS
        • Jillian GREEN
        • Nikki GREEN
        • Robyn LEES
        • Rachel MORDY
        • Terri PIKORA
        • Nat RAD
        • Sheryl STEPHENS
      • Exhibition
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  • Hotspot
  • Catalogue essay
Picture
Picture
Picture
Picture
KEVIN DRAPER
​Wetlands 2022
Forged and welded steel, paint
170 x 170 x 77cm
NFS
 
This artwork references the hinterland of the southern coastal region, with a particular focus on the Torbay Inlet. I have chosen a waterbird’s webbed foot as my motif. I am interested in the webbed foot as a symbol as it can transcend spaces - representing water, land and air.

I have always been drawn to coastal landscapes where freshwater meets the sea. There is a mythical quality to these places.

I have used forged steel as my medium to construct over 100 webbed bird’s feet. Each one is slightly different to the other. Hot, forged steel is ideal for this type of interpretation, as it gives the linear steel a drawing-like quality. I have integrated the bird’s feet into a steel gridded form. This grid structure is simply a reference to indexing, mapping and demarcation of the natural environment. The grid responds to a system that our culture overlays across the plants and animals of a given area for both good and ill.

A section of the grid mimics red and white warning tape, intersecting at right angles. This red and white element emphasises the sense of demarcation.
 
The book “Swanland” by Anne Brearley and Ernest P Hodgkins, was an extremely valuable reference in relation to the Torbay catchment area.
 
PHOTOS
Photo 1. Completed artwork – detail.
Photo 2. Work in Progress 1
Photo 3.  Work in progress 2
Photo 4. Work in Progress 3
Photos by Kevin Draper