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    • Artists >
      • Artists A-G >
        • Susan ANGWIN
        • Kerrie ARGENT
        • Lynley CAMPBELL
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        • Ann COPEMAN
        • Jenny CRISP
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        • Jo WASSELL
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        • Kerrie ARGENT
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  • Home
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  • Immerse
    • Background
    • Artists >
      • ARTISTS A - G >
        • Susan ANGWIN
        • Kerrie ARGENT
        • Christine BAKER
        • Lynley CAMPBELL
        • Ann COPEMAN
        • Jenny CRISP
        • Annette DAVIS
        • Kevin DRAPER
        • Phoebe DUFF
        • Anne GROTIAN
      • ARTISTS H - W >
        • Catherine HIGHAM
        • Robyn LEES
        • Barbara MADDEN
        • Jill PAYNTER-O'MEEHAN
        • Terri PIKORA
        • Nat RAD
        • Elizabeth RILEY
        • Margaret SANDERS
        • Renee TAN
        • Jo WASSELL
    • Public Program
  • Refugium
    • Artists >
      • Artists A-H >
        • Susan ANGWIN
        • Kerrie ARGENT
        • Christine BAKER
        • Kate CAMPBELL-POPE
        • Ann COPEMAN
        • Jenny CRISP
        • Annette DAVIS
        • Phoebe DUFF
        • Nikki GREEN
        • Anne GROTIAN
        • Catherine HIGHAM
      • Artists L-W >
        • Robyn LEES
        • Barbara MADDEN
        • Rachel MORDY
        • Jill O'MEEHAN
        • Nat RAD
        • Elizabeth RILEY
        • Margaret SANDERS
        • Renee TAN
        • Jo WASSELL
    • Catalogue essay
    • Poetry by Yann Toussaint
    • Northcliffe
  • The Alternative Archive - MIX
    • Artists >
      • Artists A-G >
        • Susan ANGWIN
        • Kerrie ARGENT
        • Lynley CAMPBELL
        • Kate CAMPBELL-POPE
        • Ann COPEMAN
        • Jenny CRISP
        • Annette DAVIS
        • Samantha DENNISON
        • Kevin DRAPER
        • Renee FARRANT
        • Indra GEIDANS
        • Jillian GREEN
        • Nikki GREEN
        • Anne GROTIAN
      • Artists L-W >
        • Robyn LEES
        • Barbara MADDEN
        • Serena McLAUCHLAN
        • Rachel MORDY
        • Jill O'MEEHAN
        • Nat RAD
        • Elizabeth RILEY
        • Margaret SANDERS
        • Sheryl STEPHENS
        • Jo WASSELL
      • Catalogue essay
  • Reservoir
    • Artists and Artworks >
      • Susan ANGWIN
      • Kerrie ARGENT
      • Lynley CAMPBELL
      • Kate CAMPBELL-POPE
      • Jenny CRISP
      • Annette DAVIS
      • Renee FARRANT
      • Nikki GREEN
      • Robyn LEES
      • Barbara MADDEN
      • Rachel MORDY
      • Jill O'MEEHAN
      • Nat RAD
      • Elizabeth R RILEY
      • Margaret SANDERS
    • Catalogue Essay
    • Installation Views
  • SQUARE
  • HomeFRONT
    • About >
      • Artists and Artworks >
        • Kerrie ARGENT
        • Lynley CAMPBELL
        • Ann COPEMAN
        • Jenny CRISP
        • Peta DAVIES
        • Annette DAVIS
        • Renee FARRANT
        • Michelle FRANTOM
        • Indra GEIDANS
        • Jillian GREEN
        • Nikki GREEN
        • Robyn LEES
        • Rachel MORDY
        • Terri PIKORA
        • Nat RAD
        • Sheryl STEPHENS
      • Exhibition
      • Catalogue Essay
  • Hotspot
  • Catalogue essay
Robyn LEES
Picture
Title:  White Feather Flotilla
Medium: ceramic, glass, plastic, salt
Dimensions:  100 x 400 cm 

The ‘White Feather Movement’ was a propaganda campaign during WW1 to shame young men into enlisting in the Army. White feathers (a symbol of cowardice and lack of masculinity) were distributed by women to any man out of uniform who they considered capable of enlisting. The disapproval and disgrace associated with the receipt of a white feather was a powerful intimidation factor in the social manipulation of young men throughout the British Empire.

​I have used the white feather as my motif and the boat as a metaphor for a journey to a new world. The soldiers sailed from Albany 100 years ago (hence my 100 boats ). Too many made the return journey in muslin shrouds. This “Flotilla” is comprised of clay boats with feathers imprinted into the surface and glass boats with the white feather image fused between the layers. It is assembled on a bed of salt which symbolises the sea.

Robyn graduated with an Bachelor of Education in 1985 and a Bachelor of Arts (Visual Arts) in 1990. She has worked full time on her arts practice since graduating, developing an extensive solo and group exhibition portfolio. She is a member of The Butter Factory Studio Cooperative. Working with clay, sculpture, glass, painting and mixed media.



NEXt artist:  Rachel Mordy