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      • Artists A-G >
        • Susan ANGWIN
        • Kerrie ARGENT
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        • Ann COPEMAN
        • Jenny CRISP
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      • Susan ANGWIN
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      • Nikki GREEN
      • Robyn LEES
      • Barbara MADDEN
      • Rachel MORDY
      • Jill O'MEEHAN
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        • Indra GEIDANS
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        • Nikki GREEN
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        • Sheryl STEPHENS
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  • Home
  • About
  • Immerse
    • Background
    • Artists >
      • ARTISTS A - G >
        • Susan ANGWIN
        • Kerrie ARGENT
        • Christine BAKER
        • Lynley CAMPBELL
        • Ann COPEMAN
        • Jenny CRISP
        • Annette DAVIS
        • Kevin DRAPER
        • Phoebe DUFF
        • Anne GROTIAN
      • ARTISTS H - W >
        • Catherine HIGHAM
        • Robyn LEES
        • Barbara MADDEN
        • Jill PAYNTER-O'MEEHAN
        • Terri PIKORA
        • Nat RAD
        • Elizabeth RILEY
        • Margaret SANDERS
        • Renee TAN
        • Jo WASSELL
    • Public Program
  • Refugium
    • Artists >
      • Artists A-H >
        • Susan ANGWIN
        • Kerrie ARGENT
        • Christine BAKER
        • Kate CAMPBELL-POPE
        • Ann COPEMAN
        • Jenny CRISP
        • Annette DAVIS
        • Phoebe DUFF
        • Nikki GREEN
        • Anne GROTIAN
        • Catherine HIGHAM
      • Artists L-W >
        • Robyn LEES
        • Barbara MADDEN
        • Rachel MORDY
        • Jill O'MEEHAN
        • Nat RAD
        • Elizabeth RILEY
        • Margaret SANDERS
        • Renee TAN
        • Jo WASSELL
    • Catalogue essay
    • Poetry by Yann Toussaint
    • Northcliffe
  • The Alternative Archive - MIX
    • Artists >
      • Artists A-G >
        • Susan ANGWIN
        • Kerrie ARGENT
        • Lynley CAMPBELL
        • Kate CAMPBELL-POPE
        • Ann COPEMAN
        • Jenny CRISP
        • Annette DAVIS
        • Samantha DENNISON
        • Kevin DRAPER
        • Renee FARRANT
        • Indra GEIDANS
        • Jillian GREEN
        • Nikki GREEN
        • Anne GROTIAN
      • Artists L-W >
        • Robyn LEES
        • Barbara MADDEN
        • Serena McLAUCHLAN
        • Rachel MORDY
        • Jill O'MEEHAN
        • Nat RAD
        • Elizabeth RILEY
        • Margaret SANDERS
        • Sheryl STEPHENS
        • Jo WASSELL
      • Catalogue essay
  • Reservoir
    • Artists and Artworks >
      • Susan ANGWIN
      • Kerrie ARGENT
      • Lynley CAMPBELL
      • Kate CAMPBELL-POPE
      • Jenny CRISP
      • Annette DAVIS
      • Renee FARRANT
      • Nikki GREEN
      • Robyn LEES
      • Barbara MADDEN
      • Rachel MORDY
      • Jill O'MEEHAN
      • Nat RAD
      • Elizabeth R RILEY
      • Margaret SANDERS
    • Catalogue Essay
    • Installation Views
  • SQUARE
  • HomeFRONT
    • About >
      • Artists and Artworks >
        • Kerrie ARGENT
        • Lynley CAMPBELL
        • Ann COPEMAN
        • Jenny CRISP
        • Peta DAVIES
        • Annette DAVIS
        • Renee FARRANT
        • Michelle FRANTOM
        • Indra GEIDANS
        • Jillian GREEN
        • Nikki GREEN
        • Robyn LEES
        • Rachel MORDY
        • Terri PIKORA
        • Nat RAD
        • Sheryl STEPHENS
      • Exhibition
      • Catalogue Essay
  • Hotspot
  • Catalogue essay
Picture
Picture
Picture
Picture
​MARGARET SANDERS 
​
Derbal Elaap (Inlet)
marine ply, acrylic paint, pencil
27 x 53 cm 
$570

Derbal Elaap (Ashore) 
marine ply, acrylic paint, pencil
15 x 53 cm 
$340

Derbal Elaap (Sandy Hills)
marine ply, acrylic paint, pencil

20 x 53 cm 
$440
                                                                                                                  
While researching my family history I become interested in the lost landscapes of Bunbury, especially near the Eelup Roundabout where my grandmother, historian Theodora Sanders, lived as a child. This was formerly a convergence wetland area of the Preston River and Leschenault Estuary.

I made a close study of Louisa Clifton’s 1841 map drawing of early Bunbury (1) and was surprised to see the extent of the lagoons, swamps, waterways of Derbal Elaap (2) The pristine shores and waterways Louisa saw (3) on her arrival at Post Leschenault, home to the Elaap Wardandi people, have long since been destroyed or greatly altered by settlement, urbanization and industrial development.

My work visualises the estuarine environs of Derbal Elaap at the time of early European settlement.

REFERENCES
1. Copy on display at Bunbury Museum and Heritage Centre.
2. Derbal, a Noongar word meaning ‘place where the salt water meets the freshwater.’ Elaap, a Noongar word meaning ‘on or by the water, referring to the people and their place.’ (From Stories Want To Be Told: Elaap Karlaboodjar, Wooltorton, Collard and Horwitz.)
3. Louisa writes “We were … struck by the pretty aspect of the country at the mouth of the inlet and in parts along the shore.”

Photo 1. Derbal Elaap (Inlet), (detail) Margaret Sanders
Photo 2. Map drawing of Bunbury by Louisa Clifton,1841 (detail). Margaret Sanders
Photo 3. Casuarina Point, Bunbury, WA. Margaret Sanders
Photo 4. Mangrove Cove, Bunbury, WA. Margaret Sanders

BIO SUMMARY
Margaret Sanders has a Degree in Communication Studies from Murdoch University (1975) and Diploma in Museum Studies from The University of Sydney (1979).
Margaret studied Printmaking at the Canberra School of Art (1989-1993) and she lived in Adelaide between 1994 and 2015 where she worked as a researcher, community artist and curator. She now lives in Albany.