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        • Susan ANGWIN
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        • Ann COPEMAN
        • Jenny CRISP
        • Annette DAVIS
        • Kevin DRAPER
        • Phoebe DUFF
        • Anne GROTIAN
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        • Jo WASSELL
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        • Susan ANGWIN
        • Kerrie ARGENT
        • Christine BAKER
        • Kate CAMPBELL-POPE
        • Ann COPEMAN
        • Jenny CRISP
        • Annette DAVIS
        • Phoebe DUFF
        • Nikki GREEN
        • Anne GROTIAN
        • Catherine HIGHAM
      • Artists L-W >
        • Robyn LEES
        • Barbara MADDEN
        • Rachel MORDY
        • Jill O'MEEHAN
        • Nat RAD
        • Elizabeth RILEY
        • Margaret SANDERS
        • Renee TAN
        • Jo WASSELL
    • Catalogue essay
    • Poetry by Yann Toussaint
    • Northcliffe
  • The Alternative Archive - MIX
    • Artists >
      • Artists A-G >
        • Susan ANGWIN
        • Kerrie ARGENT
        • Lynley CAMPBELL
        • Kate CAMPBELL-POPE
        • Ann COPEMAN
        • Jenny CRISP
        • Annette DAVIS
        • Samantha DENNISON
        • Kevin DRAPER
        • Renee FARRANT
        • Indra GEIDANS
        • Jillian GREEN
        • Nikki GREEN
        • Anne GROTIAN
      • Artists L-W >
        • Robyn LEES
        • Barbara MADDEN
        • Serena McLAUCHLAN
        • Rachel MORDY
        • Jill O'MEEHAN
        • Nat RAD
        • Elizabeth RILEY
        • Margaret SANDERS
        • Sheryl STEPHENS
        • Jo WASSELL
      • Catalogue essay
  • Reservoir
    • Artists and Artworks >
      • Susan ANGWIN
      • Kerrie ARGENT
      • Lynley CAMPBELL
      • Kate CAMPBELL-POPE
      • Jenny CRISP
      • Annette DAVIS
      • Renee FARRANT
      • Nikki GREEN
      • Robyn LEES
      • Barbara MADDEN
      • Rachel MORDY
      • Jill O'MEEHAN
      • Nat RAD
      • Elizabeth R RILEY
      • Margaret SANDERS
    • Catalogue Essay
    • Installation Views
  • SQUARE
  • HomeFRONT
    • About >
      • Artists and Artworks >
        • Kerrie ARGENT
        • Lynley CAMPBELL
        • Ann COPEMAN
        • Jenny CRISP
        • Peta DAVIES
        • Annette DAVIS
        • Renee FARRANT
        • Michelle FRANTOM
        • Indra GEIDANS
        • Jillian GREEN
        • Nikki GREEN
        • Robyn LEES
        • Rachel MORDY
        • Terri PIKORA
        • Nat RAD
        • Sheryl STEPHENS
      • Exhibition
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  • Catalogue essay
Picture
Picture
NAT RAD
Marine Observing System (MOS)
Copic Markers on paper
110 x 70 cm 
Price on application
 
After initial research in areas of hydro acoustics, water quality and human relationships with the ocean, I made the decision to focus on communication as the main concept for my work. This area was identified in the early discussions as the missing link by the scientific community, as it was felt to have failed to explain scientific information in a way that truly engaged. The climate change data is available, why don’t we absorb?

Accessibility in the artform would allow for engagement. I decided on using a graphic novel approach to explain my thoughts after seeing the Cleverman exhibition *, behind the scenes of the sci-fi TV series.

Using previous work Buoyant and a costume I created and Collyn Gawned inhabited for the gARmenT wearable art performance (*photo 1 & 2) I began working on a character. Later named the Marine Observing System or MOS (*photo 3), I sent off to observe what is really happening and represent in powerful imagery.
Using the page of a graphic novel as inspiration, the 5 copic marker illustrations are placed on the wall to be considered as a whole work.
 
REFERENCES
*Cleverman - https://visit.museum.wa.gov.au/greatsouthern/cleverman
 
PHOTOS 
Photo 1. Study for MOS, Image Nat Rad
Photo 2.  gARmenT performance 2022, model Collyn Gawned, image by Nic Duncan 
Photo 3. Study for wave, Point King Lighthouse, image Nat Rad
Photo 4. Detail of Buoyant 2018, sea water collected rowing in King George Sound, image Nat Rad 

BIO SUMMARY
Nat Rad is a practicing multi-discipline artist in Albany, WA with an Associate Degree, and experience in Arts Administration. Nat grew up in Derby, WA and completed her arts degree regionally as a mature aged student. After practicing in shared workspaces, she has finally obtained her own studio, allowing the translating of ideas across the mediums of painting, sound, and textiles.