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        • Susan ANGWIN
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      • Susan ANGWIN
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        • Kerrie ARGENT
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        • Indra GEIDANS
        • Jillian GREEN
        • Nikki GREEN
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        • Rachel MORDY
        • Terri PIKORA
        • Nat RAD
        • Sheryl STEPHENS
      • Exhibition
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  • Home
  • About
  • Immerse
    • Background
    • Artists >
      • ARTISTS A - G >
        • Susan ANGWIN
        • Kerrie ARGENT
        • Christine BAKER
        • Lynley CAMPBELL
        • Ann COPEMAN
        • Jenny CRISP
        • Annette DAVIS
        • Kevin DRAPER
        • Phoebe DUFF
        • Anne GROTIAN
      • ARTISTS H - W >
        • Catherine HIGHAM
        • Robyn LEES
        • Barbara MADDEN
        • Jill PAYNTER-O'MEEHAN
        • Terri PIKORA
        • Nat RAD
        • Elizabeth RILEY
        • Margaret SANDERS
        • Renee TAN
        • Jo WASSELL
    • Exhibition >
      • Albany
      • Collie
    • Catalogue Introduction
    • Public Program
  • Refugium
    • Artists >
      • Artists A-H >
        • Susan ANGWIN
        • Kerrie ARGENT
        • Christine BAKER
        • Kate CAMPBELL-POPE
        • Ann COPEMAN
        • Jenny CRISP
        • Annette DAVIS
        • Phoebe DUFF
        • Nikki GREEN
        • Anne GROTIAN
        • Catherine HIGHAM
      • Artists L-W >
        • Robyn LEES
        • Barbara MADDEN
        • Rachel MORDY
        • Jill O'MEEHAN
        • Nat RAD
        • Elizabeth RILEY
        • Margaret SANDERS
        • Renee TAN
        • Jo WASSELL
    • Catalogue essay
    • Poetry by Yann Toussaint
    • Northcliffe
  • The Alternative Archive - MIX
    • Artists >
      • Artists A-G >
        • Susan ANGWIN
        • Kerrie ARGENT
        • Lynley CAMPBELL
        • Kate CAMPBELL-POPE
        • Ann COPEMAN
        • Jenny CRISP
        • Annette DAVIS
        • Samantha DENNISON
        • Kevin DRAPER
        • Renee FARRANT
        • Indra GEIDANS
        • Jillian GREEN
        • Nikki GREEN
        • Anne GROTIAN
      • Artists L-W >
        • Robyn LEES
        • Barbara MADDEN
        • Serena McLAUCHLAN
        • Rachel MORDY
        • Jill O'MEEHAN
        • Nat RAD
        • Elizabeth RILEY
        • Margaret SANDERS
        • Sheryl STEPHENS
        • Jo WASSELL
      • Catalogue essay
  • Reservoir
    • Artists and Artworks >
      • Susan ANGWIN
      • Kerrie ARGENT
      • Lynley CAMPBELL
      • Kate CAMPBELL-POPE
      • Jenny CRISP
      • Annette DAVIS
      • Renee FARRANT
      • Nikki GREEN
      • Robyn LEES
      • Barbara MADDEN
      • Rachel MORDY
      • Jill O'MEEHAN
      • Nat RAD
      • Elizabeth R RILEY
      • Margaret SANDERS
    • Catalogue Essay
    • Installation Views
  • SQUARE
  • HomeFRONT
    • About >
      • Artists and Artworks >
        • Kerrie ARGENT
        • Lynley CAMPBELL
        • Ann COPEMAN
        • Jenny CRISP
        • Peta DAVIES
        • Annette DAVIS
        • Renee FARRANT
        • Michelle FRANTOM
        • Indra GEIDANS
        • Jillian GREEN
        • Nikki GREEN
        • Robyn LEES
        • Rachel MORDY
        • Terri PIKORA
        • Nat RAD
        • Sheryl STEPHENS
      • Exhibition
      • Catalogue Essay
  • Hotspot
Renee FARRANT
Picture
Title:  Internment
Medium: paper, barbwire, coffee and canvas
Dimensions:  180 cm square
​
My work ‘Internment’ represents a humble sub-set of the larger ANZAC story. For me, this work is a tribute to all humanity past and present; that we steel ourselves onward to find a sustainable solution for peace. Her beautiful face was framed with the graceful lines of time and memories. The appearance of her oriental heritage did not prepare me for her strong western accent. She tells me she is Japanese and her childhood story directed me to a fascinating, but rarely spoken chapter in Australian war history. Born in Australia but with Japanese heritage, they were interned as ‘enemy aliens living in Australia’. Many of the internees were second and third generation residents from Darwin, Broome and Thursday Island in the Torres Strait. Sadly, most of these Aussies were repatriated to Japan after the war in 1946.  In contrast to the black swan, my swan is white; her outwardly appearance becomes a cause for internment. Once a place of abode, the nest becomes a prison.  

Renee Farrant’s art is expressed through paper. All works involve a process of paper-cutting, folding and weaving. Her approach is experimental and intuitive. Her paper-cut works have found their way to a public art installation, a book cover, illustration, music video and festival theatre.



next artist:  michelle frantom